Jasmijn Lootens

 
dates
about    

solo

Eugène et la brique pilée

• co-creation
• 
  

Studio Radiaal
The Desert of the Real
Slits of  Time

The Latent Sublime
Synthesis
Shapeshifter
I Am Sitting on a Beach
Simulation
Vantage Point
Selfscan
The Resolution of Reality
Urutan
Kosmos

Maris x Haerens x Lootens
Anger’s Family Tree

The Concrete Vinyl Corporation

• ensembles

bODEM
bODEM  fESTIVAL

Nemø ensemble

Zefiro Torna

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kosmos
video, color, 4:3, stereo, be, 2017, 9’36”
credits
Jasmijn Lootens ::: compostion, cello, electronics
Michaël Verlinden ::: composition, piano, electronics
Jeroen Cluckers ::: camera, data manipulation, color grading

screenings
2019
The Hazel Eye Film Festival, Nashville, Tennessee (US)

2018
Leuven International Short Film Festival, The Labo 1, Leuven (BE)
Kasseler Dokfest, Kassel (DE)
Tasmanian International Video Art Festival, Sawtooth ARI Gallery, Launceston (AU)
FILE – Electronic Language International Festival, São Paulo (BR)
Hamburg International Short Film Festival, Deframed competition, Hamburg (DE)
Crossing The Code, ZKM, Karlsruhe (DE)
Cinema Perpetuum Mobile Film Festival, international competition, Minsk (BY)
Montreal Underground Film Festival, Dangerous Immersions program, Montreal (CA)
Ibrida Festival delle arti intermediali, Forlì (IT)
Unfair Amsterdam, Fullscreen program, Westergasfabriek, Amsterdam (NL)
Internationale Kurzfilmwoche Regensburg, Crossing the Code program, Regensburg (DE)
kosmos focuses on the building blocks of the digital and analog film image: pixels and grain. By manipulating the data of recordings of light patterns and the resulting granular textures, the images become a tactile crossbreed between analog and digital. The music establishes a dialogue between the acoustic and electronic voice. an audiovisual conversation of 9’36”, or symphony of 14400 abstract compressionist paintings, emerges.

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