Studio Radiaal - The Latent Sublime

the latent sublime
video installation, color, 1:1, stereo, be, 2022, 7’14”
credits
Jasmijn Lootens ::: compostion, cello, electronics
Michaël Verlinden ::: composition, piano, electronics
Jeroen Cluckers ::: dataset creation, model training, post production
Anneleen De Causmaecker ::: sculptures, scenography
Maarten Craeynest ::: programming, video mapping, technical development

Developed during A Matter of Sound, a 2-week residency at the Winter Garden, Royal Academy of Fine Arts, Antwerp (BE), a 2-year residency at ChampdAction, Antwerp (BE), and within the research projects AI-Driven Design (Graphic and Digital Media, department of Science and Technics) and Form a Line into a Circle (MAXlab, Royal Academy of Fine Arts), at AP University of Applied Sciences and Arts Antwerp (BE). with kind support of LUCA School of Arts / KU Leuven, Leuven (BE), docARTES, Ghent (BE) and Immersive Lab, AP University of Applied Sciences and Arts Antwerp (BE).

screenings
2022
A Matter of Sound, Winter Garden, Royal Academy of Fine Arts, Antwerp (BE)

the latent sublime is a video installation in which a stylegan2 deep learning model is trained on a dataset of different visions of the sublime throughout the ages: the romantic paintings of artists like Caspar David Friedrich, Frederic Edwin Church and William Turner, the films of Andrei Tarkovsky, and contemporary views on the sublime, related to climate breakdown (wildfires, droughts, floods) and pollution. The images reveal a shifted relationship of humanity towards the natural environment. while romantic visions feature an awe-inspiring natural world, contemporary views show the opposite: nature in decline, triggered by human-induced climate disruption and biodiversity loss. The contemporary sublime confronts humanity with its own extinction: beauty and terror unified in a continuous latent interpolation.

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